To highlight those in the world of fashion who are championing diversity and positive change, we have selected our favourite change makers to showcase the positive action being taken in the industry today…

1. Lorde Inc.

Lorde Inc., a London based modelling agency, were established in 2013 by 26 year old founder Nafisa Kaptownwala. The agency recruits only models of colour to encourage racial diversity within the industry. As highlighted in our London Fashion Week article, non-white models are severely underrepresented demonstrating a deep-routed racial imbalance. In an interview with Nylon Nafisa criticises the lack of authentic diversity in alternative agencies, and aspires to normalise non-white models by making them readily available for hire with the aim of making models of colour a principle part of fashion, opposed to the tokenised or culturally appropriated representations that we see all too often.

2. Rein London

The high-end brand Rein was established in 2015 by London College of Fashion graduates Rebecca Morter and Gemma Vanson, with an explicitly feminist focus on ‘celebrating the female form, inspired by and for women…exploring clothing’s ability to empower’. Rein use visual culture through their designs to challenge social constructions of acceptability with revealing cut-outs and sheer materials. Furthermore, the designers value ethical manufacturing through using only local and sustainable sources. In Rein’s short history, they have already had much success including debuting at London Fashion Week in 2015 and dressing established women such as Lady Gaga. Rein’s success makes us hopeful that we can pave the way for feminism within fashion, not only through designs, but in explicit associations with feminism, sustainability and social action.

3. Rain Dove

Androgynous model Rain Dove identifies as agender and has modelled for both men and womenswear collections such as Chromat and Malan Breton.  Not only is Rain breaking boundaries of gender on the catwalks, but is also using their knowledge and experiences to advocate for gender diversity within fashion. In an interview with Buzzfeed Rain says: “The gender thing doesn’t exist; it’s a social construct you don’t have to fit into… I model as all genders. I model as a human being”. Rain takes a refreshingly critical stance on gender constructs and fashion; season by season we see designers construct and reconstruct the idea of gender, of androgyny, femininity and masculinity, but Rain is using their voice to evoke positive change for more genderless clothing campaigns. Rain recognises the power fashion has to change the world and is using their platform to encourage that.

 

4. Claire Barrow

London based designer Claire Barrow debuted her work at London Fashion Week 2013. At just 23 Barrow caught her break when one of her iconic hand-painted leather jackets was featured in Vogue. Not only are we inspired by Barrows journey of running a business alongside a degree as well as maintaining her creative work at just 23, but her ‘do-it-yourself’ ethos which reflects British subculture is culturally and politically engaging.  The inspiration from Barrow’s artwork ranges from feminist statements within girl gangs to recognising the prospects for young people today. We highlighted Barrow in our London Fashion Week article as the only designer to use a plus-size model, and to represent ethnic and age diversity. Barrows used male and female models to showcase her genderless collection, and continues to make political and current statements through her work.

 

5. Lucy Jones

In 2015 Lucy Jones won the Womenswear Designer of the Year award for her Seated Collection, which consists of accessible clothing focusing on aesthetic and comfort for wheelchair users. The collection was inspired by a fashion assignment which aimed to change the world; Jones recognised that people with disabilities are overlooked within fashion and wanted to make accessible solutions. To achieve this, Jones researched over 100 people with disabilities, all of whom felt marginalised by the fashion industry. Jones began to notice and solve the issues of accessibility faced by wheelchair users and their clothes, such as reinforcing sleeves and altering the cut of trousers. Jones believes that disability should be considered in a designers approach to design from the outset, as most wheelchair users have to simply make do with uncomfortable and impractical clothing, compromising either style or accessibility.

Positive and genuinely representative images of race, disability, age and gender is fundamental to diversity within fashion and ultimately to the self-esteem of those observing and participating in it; from watching the catwalks to reading fashion magazines, the singular idealised image of accepted beauty which still permeates the industry is problematic, especially for young women. If fashion does not authentically reflect ethnically diverse, disabled, non-binary human beings, they are further marginalised from a culture which has such propensity to empower and change the world. The change makers highlighted are fundamental to sustaining positive and authentic diversity in the fashion industry, and we must value and champion those choosing to use their voice to create an inclusive culture.

Author:  Holly C